Performances in N.Y.C. Advertisement Supported by The composer Matthew Aucoin and Sarah Ruhl’s teeming, wearying adaptation of her play is a contemporary vision of the Orpheus myth. By Zachary Woolfe ...
NEW YORK, Dec. 2, 2021 /PRNewswire/ -- Eurydice by Matthew Aucoin—the youngest composer to have a Metropolitan Opera premiere since 1938—reimagines the ancient Greek myth of Orpheus from Eurydice's ...
Performances in N.Y.C. Advertisement Supported by For several years, the composer Matthew Aucoin corresponded with Sarah Ruhl about how to adapt her play into the Met Opera’s latest premiere. By ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Vancouver Opera has announced conductor Jennifer Tung will be joining the creative ...
Aucoin, 31, is a polymath: the recipient of a MacArthur "genius" grant, he's a pianist, conductor, composer, impresario and writer. And he loves opera—even if he finds it an "impossible" art form. "I ...
Revered as an unrivaled musician, Orpheus ventured to the Underworld to reclaim his wife Eurydice after she died from a snakebite. So potent was his singing and lyre-playing that Hades was convinced ...
San Francisco opera has opened a dazzling new production of Christoph Willibald Gluck's "Orpheus and Eurydice," the classic tale of ancient Greek musician Orpheus and his travels to the underworld to ...
Two things about Gluck’s “Orpheus and Eurydice,” his 1762 opera, are not only the power and beauty of its melodies but also the sensation in a listener that the 260-year-old work is surprisingly ...
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